An Art Form on a Paradox That Intentionally Uses Scale Changes to Intrique or Mystify Us Is

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an art history class or spent time in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. Every bit with other subjects, most of what we learn about art history today still centers on white men from Europe and, later on, the U.s.. In reality, there are so many more than artists of all genders to learn from and appreciate.

Here, nosotros're specifically taking a expect at just some of the women who have had lasting impacts on their fine art forms. From some of the art world's well-nigh iconic pioneers to its most unsung heroes, these women artists all had a hand — and, in some cases, still have a hand — in changing the world of fine art and how we ascertain it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an creative person and educator who taught at Cheyney Academy in Pennsylvania for more than 30 years. After studying the work of painters like Cézanne and Monet while away, she returned to the Usa, condign best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Film Stills (1977–eighty). series. Photos Courtesy: Museum of Modernistic Art (MoMA)

Lensman Cindy Sherman was function of the Pictures Generation during the 1980s, and is perhaps well-nigh well known for her series of Untitled Film Stills (1977–80) — self-portraits in which Sherman "posed in the guises of various generic female film characters, among them, ingénue, working girl, vamp, and lone housewife" (via MoMA). In this serial, and those that followed, Sherman used photography to question the media'due south influence over our individual and collective identities.

Yoko Ono

A still from the operation Cut Piece, 1964, and a picture of the installation Half-A-Room, 1967, as seen at the Museum of Mod Art in New York City in 2015. Photos Courtesy: Museum of Modernistic Art (MoMA)

You might showtime retrieve of Yoko Ono as a musician and activist, but she's also an accomplished performance and conceptual artist. Ono was considered a pioneer in the performance art movement, earning the nickname the "Loftier Priestess of the Happening".

One of her virtually revered works, Cut Piece, was a performance she kickoff staged in Japan; Ono sat on stage in a nice conform and placed scissors in front of her, and, in an act of daring vulnerability, invited audience members to come up on stage and cut away pieces of her clothing. "Art is like breathing for me," Ono has said. "If I don't do it, I start to asphyxiate."

Betye Saar

Betye Saar'southward Black Girl's Window, 1969 (total and detail). Photos Courtesy: Museum of Mod Art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking elective changed her entire career trajectory — and, in turn, part of the trajectory of fine art history.

Saar was part of the Black Arts Movement in the 1970s and, through painting and aggregation, critiqued institutionalized racism and the racist stereotypes white people held toward Blackness Americans. "To me the trick is to seduce the viewer," Saar has said. "If you tin can get the viewer to expect at a work of art, and then you might be able to give them some sort of message."

Frida Kahlo

People await at Frida Kahlo's 1939 painting Las Dos Fridas at the World Forum of Culture in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

It's rare to observe someone who hasn't at least heard of Frida Kahlo. A cocky-taught painter from Mexico, she is best known for exploring themes like death and identity through her self-portraits. Kahlo oftentimes used bold, bright colors to create her symbol-rich works, and was regarded as one of the most influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors showroom at the Hirshhorn Museum Feb 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, simply she's also known for her hyper-real sculptures, polka dots, installations, and then much more. Similar many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her piece of work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which utilise mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Erstwhile First Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian'south National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo past Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more mutual in portraiture writ large in the mid-19th century. Odds are that yous recognize Sherald's piece of work — and her signature grayscale skin tones — as she was the start Blackness adult female to complete a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her series, Pelvis Series Red With Xanthous in Albuquerque, New United mexican states. Photograph Courtesy: Tony Vaccaro/Getty Images

Known as the mother of American modernism, you lot likely associate Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, merely perchance, the skyscrapers of New York Urban center. In the 1920s, she was the first woman painter to proceeds the respect of the New York fine art earth, all by painting in her unique way.

Adrian Piper

Adrian Piper wins the Golden King of beasts for all-time artist in Okwui Enwezor's biennial exhibition All the Globe's Futures, part of the 56th Venice Biennale in 2015. Photo Courtesy: Enkindling/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her piece of work to question social club, identity, and racial politics by demanding the audience to confront truths about themselves. She oft challenged people on the streets of New York to guess her race, socio-economic course, and gender — all while dressed as a Black man with a fake mustache and sunglasses, or while wearing compelling statements on her apparel.

Shirin Neshat

Shirin Neshat's poses in front of a photograph in her exhibition Our House Is on Burn at the Robert Rauschenberg Foundation in New York Urban center in 2014. Photograph Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to study art in Los Angeles, California — before the Iran Islamic Revolution took place. She is best known for her photography, film, and video work, much of which explores the human relationship between Islam's cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front end of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

Every bit a neo-conceptual artist, Jenny Holzer's work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works brandish phrases that act as meditations on various concepts, such as trauma, knowledge, and promise. 1 of her more notable works, I Aroma Y'all On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore'south Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (Agone)

Much of Rebecca Belmore's art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Indigenous N American culture. In 2005, she was the first Ethnic woman to represent Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is improve known for her installation art and sculptures — similar the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a fourth dimension when abstraction and conceptual art were the main styles shaping the fine art world.

Mickalene Thomas

Mickalene Thomas' A Little Sense of taste Outside of Dearest, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by popular culture and popular fine art, Mickalene Thomas oftentimes embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago'due south seminal work The Dinner Political party. Photo Courtesy: Brooklyn Museum

Judy Chicago was ane of the major figures within the early on Feminist Fine art movement. As exemplified in her iconic work The Dinner Political party, her installation pieces often examine the office of women in history and civilization — in the 1970s and before. While at California Land University in Fresno, Chicago founded the first feminist fine art plan in the United States.

Augusta Vicious

Augusta Savage with 1 of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Fine art/Wikimedia Eatables

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In improver to creating breathtaking sculptures, frequently of Black folks, Cruel founded the Savage Studio of Arts and crafts in Harlem in 1932, and, a few years later, she became the first Blackness American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modern Art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "body art". (Just look up her virtually famous work, Interior Curlicue, and y'all'll come across what we mean.) She used her body to examine women'south sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Eatables

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional ability relations. In addition to documenting New York City's queer subculture postal service-Stonewall, Goldin explored the HIV/AIDS crunch, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol'south Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this expect like an Andy Warhol to you? Well, that's the idea! Elaine Sturtevant, who went by her concluding proper noun professionally, was a conceptual creative person known for her inexact replicas — that is, not-quite-right copies of big-name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art civilization.

Ruth Asawa

Various hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photograph Courtesy: View Pictures/Universal Images Grouping/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa's concluding public commission was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during World War Ii.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November viii, 2007 in New York Urban center. Photograph Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and mural photography, Catherine Opie has been a photographer since the age of nine. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — simply in a way that conveys ability and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Sunday) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an creative person, author, theorist, and banana professor who won an Impact Accolade at the Indiecade Festival in 2020 and the Creative Honour from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and fine art to address global issues such as racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Fine art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who as well specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Assistants (WPA).

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