Pride and Prejudice: Pervasiveness of Colorism and the Animated Series Proud Family Pdf

"How come when my teachers say the flesh colored crayons, they just mean the calorie-free ones?"

An honest question I came domicile with to my parents after a day of the start grade. Fifty-fifty as a little daughter, something in me knew that if your peel color was darker, information technology wasn't equally valued. This debilitating lesson was in a lot of places I looked. It certainly was in all of my favorite television shows and movies. Fifty-fifty in the black-made ones. Even in shows similar The Proud Family, which is one I retrieve is safe to say nosotros were all rooting for. Though information technology beautifully shows a loving black family taking pride in their culture, it still shows how colorism has provided the monstrous ability of dividing communities. Margaret Hunger, scholar of race and gender studies defines it equally "the process of discrimination that privileges light-skinned people of color over their dark-skinned counterparts" (Hunter 2007).

In Pride and Prejudice: Pervasiveness of Colorism and the Blithe Series Proud Family, Catherine Knight Steel jumps into the many colorist narratives in the animated favorite. She points out that the main character Penny, and her mother, Trudy, who are illustrated as having light skin, are "the two characters who have the most depth and with whom the viewer is meant to chronicle and sympathise are clearly signified as African American, but with many Eurocentric features" (Steel 60). On the other manus, equally nosotros discuss the Gross sisters, (aye, their names are literally the GROSS sisters) nosotros come into gainsay with the colorist belief that lite-skinned means utmost intelligence while dark skinned ways utter incompetence.

The illustrators made it a point to make the Gross sisters skin color their near striking feature – a deep shade of blue. These three antagonists of the show are shown as an extreme. They are angry, poor, ugly, and feared by the other characters. This generalization of people of night skin as threatening is extremely destructive. Even Penny's friend Dijonay, who has the darkest pare out of all of their friends, is besides the poorest of all of them, oft not exerting much intelligence, and is mainly focused on "finding herself a homo." These examples are only a few stereotypes riddled within the drawing.

The United states tv set/motion-picture show industry is not the but place that wreaks havoc on people with night skin. Hindi cinema, commonly known as Bollywood (though let information technology be known that this is a very westernized naming, and it is deemed very disrespectful to telephone call Hindi picture show, Bollywood. It implies that it is an faux of Hollywood, and this it is not) has a history of colorism shown inside the films. Spanish telenovas, or Latin American soap operas, also exploit this idea of colorism, and it disproportionately applies to women.

In the Tamil film, Baahubali: The Start (2015), our male protagonist Shivudu has a romantic moment near a waterfall with his love interest, Avanthinka. When Avanthinka gets washed by the waterfall, it not but washes her of any dirt or crud only seems to be so powerful that it has lightened her pare. Yes, Shivudu loved her before the waterfall cleanse, only now she is portrayed as much more than cute than before. The desire to reach light pare in order to achieve true beauty is a huge upshot in India. Popular Indian actresses Priyanka Chopra and Kajol have even admitted to using skin bleaching products to reach lighter skin.

A lot of these narratives of low-cal skin are almost exclusively sold to women. This is specially true when we look at telenovas. The light-skinned, often times blonde, often times white passing actors are the leading women. Dark skinned actors are supporting or pocket-sized roles, and are typically playing the assistance. Interestingly plenty, the leading homo's skin tone is always darker than his female person counter role.

In her Feminist Review academic article "Colourism and the Politics of Beauty," Aisha Phoenix notes that "racism and colourism lead to the privilege of low-cal skin, and 'patriarchal patterns of desire' hateful women are still judged unduly on their looks." A lot of the leading men are even considered dark-skinned, matching the peel tone of the actors portraying the secondary characters or maids. Phoenix also points out that "Heterosexual men of colour often perpetuate colourism by demonstrating information technology in their pick of partners, or in their descriptions of what they consider attractive in women." It makes a lot of sense when we see that skin lightening products are well-nigh always exclusively sold to women, and when we await back at our Tamil film, just the female analogue is the ane to exist "washed." This harmful design is extremely common.

Not seeing your story reflected dorsum at you in social media can experience incredibly isolating, only when your existence is shamed on height of it all, it adds layers of internalized pain and racism that eats away at you earlier you even realize what it is or why information technology exists. We are non simply watching these colorist narratives, nosotros are consuming them. It is time we stop acting ignorant to the pain that is shed on nighttime-skinned individuals, peculiarly young women. Those videos going around of immature black girls crying because someone finally told them that their dark pare is cute? Heartbreaking. Just one time yous showtime picking apart the media you eat, how tin can you lot act surprised at the pain that must be inside of her? At this betoken, loving your dark skin is a radical human action. So, particularly to my dark skin queens, in an deed of rebellion and ability, I enquire you to unapologetically and wholeheartedly love your skin. When you do, I promise that nothing can finish your glow.

References

Steele, Catherine Knight. "Pride and Prejudice: Pervasiveness of Colorism and the Animated Serial Proud Family." Howard Journal of Communications 27.1 (2016): 53-67.

Abatistaschool. "Colorism and the 'Patriarchal Patterns of Desire' in Telenovelas."RTF Gender and Media Civilisation, one July 2019, rtfgenderandmediaculture.wordpress.com/2019/06/29/colorism-and-the-patriarchal-patterns-of-desire-in-telenovelas/.

Lakshmi, Kav. "Colorism in Bollywood and Hollywood."Brown Girl Magazine, nineteen November. 2019, world wide web.browngirlmagazine.com/2019/11/colorism-bollywood-hollywood/.

Hunter, M. (2007). The Persistent Trouble of Colorism: Pare Tone, Status, and Inequality.Folklore Compass,1(1), 237-254. doi:10.1111/j.1751-9020.2007.00006.x

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Source: https://www.mixedinamerica.org/2020/04/27/colorism-we-consume/

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